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TUI Reel

Client

Client

TUI

Role

Role

Motion design, AI-assisted workflow

Outcomes

The reel was shown to a senior TUI stakeholder at the end of week two. It was greenlit outright and led directly to a full redesign of the app, all without the storyboard ever being locked.

The reel was shown to a senior TUI stakeholder at the end of week two. It was greenlit outright and led directly to a full redesign of the app, all without the storyboard ever being locked.

The Brief

An earlier UI phase hadn’t landed with TUI, which led to a brand reset. I was brought in for the motion phase: a 90-second animated reel to sell the new direction to senior stakeholders.

An earlier UI phase hadn’t landed with TUI, which led to a brand reset. I was brought in for the motion phase: a 90-second animated reel to sell the new direction to senior stakeholders.

A frame from the 90-second TUI brand reel: animated type over TUI blue, with a circular holiday photo sliding into place.

The Challenge

Neither the storyboard nor the designs were signed off when I started. Copy tweaks and asset swaps are manageable, but the compositions kept changing, and every change cost hours of rework.

Neither the storyboard nor the designs were signed off when I started. Copy tweaks and asset swaps are manageable, but the compositions kept changing, and every change cost hours of rework.

Proving the Concept

Before going further, I built a rough 10-second snippet set to music to show the thinking. It grew to around 20 seconds, and the client’s response was clear: this is exactly what we wanted, carry on.

Before going further, I built a rough 10-second snippet set to music to show the thinking. It grew to around 20 seconds, and the client’s response was clear: this is exactly what we wanted, carry on.

Building Under "Reel" Pressure

The plan was a rough cut in week one, then timing refinement in week two. In practice, the first days were spent animating while designs were still shifting, and week two became a sprint.

The plan was a rough cut in week one, then timing refinement in week two. In practice, the first days were spent animating while designs were still shifting, and week two became a sprint.

Where AI Fits In

After Effects’ AI assistant, then in beta, helped me keep pace. It sped up a section that was dragging and handled fiddly work like reversing keyframes and swapping assets. That bought back time for timing, which is what decides whether a reel lands.

After Effects’ AI assistant, then in beta, helped me keep pace. It sped up a section that was dragging and handled fiddly work like reversing keyframes and swapping assets. That bought back time for timing, which is what decides whether a reel lands.

  • ALWAYS THINKING…ALWAYS LEARNING…ALWAYS CREATINg

    ALWAYS THINKING…ALWAYS LEARNING…ALWAYS CREATINg

    …SOMETHING

    …SOMETHING

  • ALWAYS THINKING…ALWAYS LEARNING…ALWAYS CREATINg

    ALWAYS THINKING…ALWAYS LEARNING…ALWAYS CREATINg

    …SOMETHING

    …SOMETHING